In a fast-moving, image-saturated, society, I make photographs to elicit contemplation. While walking through urban landscapes, I observe and record found objects and scenes with my camera. The objects and scenes predominantly convey the evidence of human interaction. I point to odd juxtapositions of what has been added to or left behind in a space, such as stranded furniture, yard decor, refuse, and window adornments, among a variety of other things. By creating a visual language of the intentional and unintentional mark-making of urban society, I am investigating personal value systems through the humorous and poetic nature of the overlooked. This body of work focuses on an awareness of space and surroundings and the self within that space as a response to the increasing desensitization caused by the digital and virtual realms.