Grounding is a recent project expressed through various alternative photographic processes. In subject matter and form, it is a response to the pervasive online interactions and mediations of the information age. One element included in the project is a series of large format color pinhole photographs. The analog photographs counter digital image-making processes and serve to document my summer garden. This series invites the viewer to engage with the memory of the flowers, herbs, and vegetables grown there. Through nurturing nature, the ritual practices of caregiving, paying loving attention, and offering empathy are given form. This body of work interprets and cultivates the counterculture of care as a form of social resistance to the post-digital condition.